https://mirandaholmesart.com Miranda Holmes Fri, 21 May 2021 19:39:38 +0000 https://mirandaholmesart.com en https://mirandaholmesart.com/Home-Image-Scroll Wed, 19 May 2021 13:32:32 +0000 Miranda Holmes https://mirandaholmesart.com/Home-Image-Scroll text &nbsp; &nbsp; press&nbsp; &nbsp; CV <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/8badc6a2676e4e63582443798c44294f926bf3fa9395b2a9da0637f4058dcfa3/Skid-installdone2.jpg" data-mid="246202956" border="0" src="https://freight.cargo.site/w/1000/i/8badc6a2676e4e63582443798c44294f926bf3fa9395b2a9da0637f4058dcfa3/Skid-installdone2.jpg" /><img width="8121" height="5414" width_o="8121" height_o="5414" data-src="https://freight.cargo.site/t/original/i/f4b195497759618bb63a29c5b1a91810c618ae604f3eff43193ac6fce5d4301b/Lateral-Slip-install1-bright.jpg" data-mid="238530856" border="0" 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data-src="https://freight.cargo.site/t/original/i/f7198fd98c83c58d892a42d58f6f4b22095f17bf66c052b1b35c9aafaeb3f6f4/24hour-Plank.jpg" data-mid="146877068" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f7198fd98c83c58d892a42d58f6f4b22095f17bf66c052b1b35c9aafaeb3f6f4/24hour-Plank.jpg" /> <img width="1902" height="3195" width_o="1902" height_o="3195" data-src="https://freight.cargo.site/t/original/i/3364b16e0d2a8a385d49f131fcc7b9201a00962939d9c0df613313a86c5a2b09/IMG_7252.jpg" data-mid="109257760" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/3364b16e0d2a8a385d49f131fcc7b9201a00962939d9c0df613313a86c5a2b09/IMG_7252.jpg" /> https://mirandaholmesart.com/Text Thu, 20 May 2021 13:19:42 +0000 Miranda Holmes https://mirandaholmesart.com/Text 2024 // Artist statement Miranda Holmes (b. 1994) is an artist currently living in Columbus, Ohio. My paintings, drawings, and installations embrace expansive notions of identity and intimacy. I speculate on how we shape one another and the places we inhabit. Using transparent films of paint, I layer the shapes of everyday objects within figures, entangling them with the cups they hold, the drawers they open, and the shoulders they lean on. Each work attends to thresholds of interaction that mark a relationship in flux. As people and objects seep and stain into one another, my work capsizes traditional binary thinking between Subject and Object, Self and Other for a more fluid vision of experience. My work underlines painting as a site for textures of intimacy to spark, wrestle, grow, or diminish within a single moment. Research for my work includes mining my own experiences of care and conflict as well as engaging with critical theory. Physicist and feminist, Karen Barad’s work – which considers matter not as discreet entities but as a series of “intra-actions” between atoms continually clinging to and releasing one another – has influenced how I paint edges: buzzing and active. If at a cellular level we are no different from one another and from the space around us, our identities are thus always moving as we meet new matter. Yet, my work does not erase difference altogether. Queer feminist theory continues to influence my work: Maggie Nelson, Sara Ahmed, and others who put shape to difference while opening avenues for togetherness are guiding voices in my studio. My practice aims to bridge representation and identity-based work with abstraction and wonder. 2022 // Thoughts: Observation / Absorption&nbsp; My work is in many ways an exploration of control, namely the ways in which the systems of patriarchy, racism, and capitalism manipulate women, trans, and non-binary peoples’ bodies. I consider how these systems redirect these bodies, force them into positions to survive the world. I find myself thinking about what I and others would be like – what choices we would make, where we would go, who we would love – if not for the ingrained boundaries wrapped tightly around our bodies. I wonder about how many definitions a body must absorb before it embodies that definition, fits squarely into a category. What the body absorbs, feels, moves, how it acts and persists – these will all look different depending on the intersectional identities and experiences of that body. I address these various intersections, including but not limited to gender, sexuality, class, race, and disability, and I leave space for the speculative. Much of the way culture shapes bodies, anybody, is unknown. Yet, cultural conditioning establishes its power from people accepting stories of the way things are, an agreed upon reality. My work questions the stories that uphold hegemony, a form of bodily control, as the common reality that we participate in and help shape. 2021 // I bend my back back I bend my back and pose. Hold. My back is bent back. I bent back. Held it. Hold it. Held it in my hands. Held liquid in my cupped hands and felt it drip through. It dripped through the cracks in my hand cup. Felt the cup holding liquid in my hands. The hand cupped me. It cupped my bottom and I bent back. Backed up and fell back and held it. Held the cup bottom up. The liquid fell out and my back bent. I held it back. I hold it back. I bend my back back. &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I find myself in a backbend. I wonder how I arrived in that position. The pose. I am exhausted but I hold it. In what position does my exhausted body find itself and what are the powers that bent me there? I was overpowered. I am empowered. I have the power to bend back. I can. I can. What powers do I uphold in my empowering backbend? &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My work contends with the body in relationship with the demands of capitalistic production, the strains of high performance culture, and the constraints of patriarchal, white supremacist, and heteronormative structures. How is the body asked to perform under systems whose mechanisms require draining bodies? The system drains the liquid from the body and lubricates its system. Makes it faster, smoother, more efficient, more demanding of more fluid bodies. Can the body perform under these conditions? How does it process these conditions and reperform them?&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; While my work is in conversation with neoliberalist feminism, which grows out of a white feminist allegiance to racial supremacy and to capitalism, the bodies in my work skim identity and skin the internalized. Working from quick gestural figure drawings I make observing woman-identifying bodies in yoga poses or exercise positions, I build up layers in my paintings that both reference the body and evade representation. The paintings provide moments of clarity – the strain of a perpetual backbend teases recognition – and in the next moment twist away from capture of the gaze. My work contends with the space between the desire to perform under current conditions (to hold a plank, to crunch for a deadline, to tighten a grip) and the desire to escape (to refuse sight, to refuse to work, to collapse, to imagine other ways of looking, of being). &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Being an oil painting, the body finds itself labeled Figure. Female Figure. Boxed in, rendered in a rectangle, it leaks into its environment, labeled Ground. The Figure/Ground is in a relationship, and it is complicated. How is Figure (“subject”) ever separate from Ground (“object”, “environment”, “condition”) when Ground dictates the position of Figure? Figure’s body position, work position, favorite sex position. What composes Ground? Objects that allow Figure to stretch itself to its limits – a rectangular yoga mat, a linear exercise band, a screen imposing instructions – seep in and out of Figure, build it, break it. The edge of a doorway becomes an extended arm that spans background and foreground. How is Figure complicit in its own making and unmaking? &nbsp;Where does Figure perform Figure? How does the performance—the held position, the pose – fracture Figure? When does Ground have Figure’s back? Figure is bent back. Bent back. Bent back. SHORT FICTION&nbsp; -&nbsp;Self Expansion, Nov 2020 https://mirandaholmesart.com/Press Fri, 21 May 2021 19:39:38 +0000 Miranda Holmes https://mirandaholmesart.com/Press PRESSI am thrilled to be Skidmore College’s Work + Space Visiting Artist/Resident for 3 weeks this November. My residency will end with a solo show, titled Loose Contour, which will be available to view in Schick Gallery at Skidmore.&nbsp;<img width="3314" height="4076" width_o="3314" height_o="4076" data-src="https://freight.cargo.site/t/original/i/e34eeb41cb7034ded800834b54afe71f8a5dafdbed2fe6a59a2febe74e2b9f03/Borrowed-Body-copy-2.jpg" data-mid="240583055" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/e34eeb41cb7034ded800834b54afe71f8a5dafdbed2fe6a59a2febe74e2b9f03/Borrowed-Body-copy-2.jpg" /> <img width="950" height="1200" width_o="950" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5ef506d3ab5fc148c07e38ebd36915b189606eaa5a503215b6cb0f67d0ca8125/Loose-Contour-card.jpg" data-mid="240583053" border="0" data-scale="50" src="https://freight.cargo.site/w/950/i/5ef506d3ab5fc148c07e38ebd36915b189606eaa5a503215b6cb0f67d0ca8125/Loose-Contour-card.jpg" /> // My solo show, Lateral Slip, opens at No Place Gallery in Columbus, OH on August 15, 6-8pm. The show will run Aug 15-Sept 27. &nbsp; <img width="949" height="1024" width_o="949" height_o="1024" data-src="https://freight.cargo.site/t/original/i/824c9fa04a29676d78edfd2864c8c4a6ea71bfa0631bc594b7ea05ff210ccc73/No-Place-poster_Holmes.JPG" data-mid="237034584" border="0" data-scale="63" src="https://freight.cargo.site/w/949/i/824c9fa04a29676d78edfd2864c8c4a6ea71bfa0631bc594b7ea05ff210ccc73/No-Place-poster_Holmes.JPG" /> //My solo show, Lateral Slip, was featured in Matter News in September. <img width="1320" height="1554" width_o="1320" height_o="1554" data-src="https://freight.cargo.site/t/original/i/cbbbd5bb3e15a852810aca87ec0fcf0a9e73badea5a9ca7aa9965d0ba47eb1fb/Matter-News-article.png" data-mid="240583057" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/cbbbd5bb3e15a852810aca87ec0fcf0a9e73badea5a9ca7aa9965d0ba47eb1fb/Matter-News-article.png" /> // My solo show, Lateral Slip, was featured in Young Space’s newsletter in September.&nbsp; <img width="1074" height="1314" width_o="1074" height_o="1314" data-src="https://freight.cargo.site/t/original/i/20ce3009a2923d3b2403d315b69ce4665e4d24b669765b7e5c67b8ec04a5a34c/Young-Space-press.png" data-mid="240583056" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/20ce3009a2923d3b2403d315b69ce4665e4d24b669765b7e5c67b8ec04a5a34c/Young-Space-press.png" /> // I am an artist in residence at Chautauqua Visual Arts in Chautauqua, New York this summer.&nbsp;<img width="750" height="284" width_o="750" height_o="284" data-src="https://freight.cargo.site/t/original/i/8dc74a23f54b01fe67a3bc1883eb3aaff837b45845e6c9945a05982d1e56ea31/Screenshot-2025-08-14-at-12.30.33.png" data-mid="237034557" border="0" data-scale="43" src="https://freight.cargo.site/w/750/i/8dc74a23f54b01fe67a3bc1883eb3aaff837b45845e6c9945a05982d1e56ea31/Screenshot-2025-08-14-at-12.30.33.png" /><img width="5876" height="3646" width_o="5876" height_o="3646" data-src="https://freight.cargo.site/t/original/i/ffefc3c845b6a48b8f193737ff4ffe7a3504e1176214bcbfe11f9fa177253331/IMG_9125.JPG" data-mid="237034559" border="0" src="https://freight.cargo.site/w/1000/i/ffefc3c845b6a48b8f193737ff4ffe7a3504e1176214bcbfe11f9fa177253331/IMG_9125.JPG" /> In my studio at Chautauqua, July 2025 // I interviewed 4 project spaces in Berlin for Maake Magazine’s 17th issue. Read my introduction on the scene of project spaces in the neighborhoods of Neukölln and Kreuzberg as well as the 4 features here.&nbsp; <img width="1294" height="1384" width_o="1294" height_o="1384" data-src="https://freight.cargo.site/t/original/i/08a508e2093b469d72c3a89021b0d10ac5c5c32527adb75028c8e089515202dc/Screenshot-2024-12-09-at-10.02.14.png" data-mid="223104568" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/08a508e2093b469d72c3a89021b0d10ac5c5c32527adb75028c8e089515202dc/Screenshot-2024-12-09-at-10.02.14.png" /> // My solo show, Bright Bones, is on view in DePauw University’s Peeler Gallery from Oct 28-Dec 8.&nbsp; <img width="4037" height="5764" width_o="4037" height_o="5764" data-src="https://freight.cargo.site/t/original/i/c688b5d322d8fc818464870cdb9bb02f916c833a5389f765a517e8622eadd219/Jane-s-Sandwich.jpg" data-mid="221135558" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/c688b5d322d8fc818464870cdb9bb02f916c833a5389f765a517e8622eadd219/Jane-s-Sandwich.jpg" /> Miranda Holmes (b. 1994) embraces expansive notions of identity and intimacy in her paintings, drawings, and installations. Her work speculates on how we shape one another and the places we inhabit. Using transparent films of paint, Holmes layers the shapes of everyday objects and experiences within figures, entangling them with the cups they hold, the drawers they open, and the shoulders they lean on. &nbsp; Bright Bones features work created by the artist over the last two years, including during her time in Berlin, Germany under a DAAD Fellowship in the Arts. Each work attends to thresholds of interaction that mark a relationship in flux. Holmes paints the edges between subject matter as active and buzzing. Subjects and objects seep into one another, destabilizing the Self/Other binary for a fluid vision of experience. Gestures of care and conflict lodge within bodies like memory calcifying into bone. The show underlines painting as a site for textures of intimacy to spark, wrestle, grow, or diminish within a single moment.Artist Talk: Monday, October 28, 2024, 4:30pm EDT in the Peeler Art Center, Auditorium // I will show 2 paintings and an installation in the group show, Proem, curated by Ece Manav within the larger collective of&nbsp;FREYAalt. Opening July 25, 6-9pm.&nbsp; <img width="1081" height="1350" width_o="1081" height_o="1350" data-src="https://freight.cargo.site/t/original/i/a4f4ea3d69ff0a83d96bf9e104025e75038b68c74ac32783555f77e30c6094eb/Proem-Final-poster.png" data-mid="215206240" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/a4f4ea3d69ff0a83d96bf9e104025e75038b68c74ac32783555f77e30c6094eb/Proem-Final-poster.png" /> // I am featured in Berlin Art Link&nbsp;on the topic of Desire. Click here for my interview with Fionn Adamian.&nbsp; <img width="940" height="1336" width_o="940" height_o="1336" data-src="https://freight.cargo.site/t/original/i/4e1f5759f2f28cde057958dbdb64eff2d9a81c7eb9443b8ff6d07fcd75468db2/Berlin-Art-Link-Letter-from-Editor.png" data-mid="213979045" border="0" data-scale="52" src="https://freight.cargo.site/w/940/i/4e1f5759f2f28cde057958dbdb64eff2d9a81c7eb9443b8ff6d07fcd75468db2/Berlin-Art-Link-Letter-from-Editor.png" /> // My show at Vorfluter will participate in the 48 Hours Neukölln festival in Berlin A sound piece by Juan Ledesma will play during the course of the weekend &nbsp; <img width="2622" height="1566" width_o="2622" height_o="1566" data-src="https://freight.cargo.site/t/original/i/caa8ef4da68b7005c770eae53f0c1e21fbbd2f70409cce90c383eacb36ca5eee/48hNK.png" data-mid="213855844" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/caa8ef4da68b7005c770eae53f0c1e21fbbd2f70409cce90c383eacb36ca5eee/48hNK.png" /> // Solo show at Vorfluter Gallery in Berlin, opening June 7th, 7-9pm.&nbsp;<img width="2504" height="1412" width_o="2504" height_o="1412" data-src="https://freight.cargo.site/t/original/i/9734d2ff53b4d915e34c965658c8db9f9403c15d4f13e2612504b330da7ec2b7/Screenshot-2024-06-04-at-06.19.47.png" data-mid="212266647" border="0" src="https://freight.cargo.site/w/1000/i/9734d2ff53b4d915e34c965658c8db9f9403c15d4f13e2612504b330da7ec2b7/Screenshot-2024-06-04-at-06.19.47.png" /> // I am featured in Maake Magazine’s 16th issue curated by Stephanie Baptist (Medium Tings)&nbsp; <img width="1282" height="1368" width_o="1282" height_o="1368" data-src="https://freight.cargo.site/t/original/i/cc6cb9e8eb193c2422c12da34aa6ca19be847fdeba49c00270f4635eaafd5cb1/Screenshot-2024-02-10-at-10.03.28.png" data-mid="204331616" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/cc6cb9e8eb193c2422c12da34aa6ca19be847fdeba49c00270f4635eaafd5cb1/Screenshot-2024-02-10-at-10.03.28.png" />// I am one of 10 artists selected for the Miami University Young Painters show juried by Lauren Haynes, curator at the Queens Museum.&nbsp;Jan 30-March 8, 2024 <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d6c065c885393854c8ccdd82fba303ef8c94dc673a7c45f122f4689e95866232/YP24Installview.jpg" data-mid="204331647" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/d6c065c885393854c8ccdd82fba303ef8c94dc673a7c45f122f4689e95866232/YP24Installview.jpg" />// I am a recipient of the DAAD Postgraduate Scholarship in Fine Arts and will live in Berlin, Germany from Jan-Oct 2024.&nbsp; <img width="1300" height="474" width_o="1300" height_o="474" data-src="https://freight.cargo.site/t/original/i/1d1c317a0da0d67125e7f739e768c51d31e3242eba629de0a8e49872ad930ec3/DAAD-logo.png" data-mid="204331586" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/1d1c317a0da0d67125e7f739e768c51d31e3242eba629de0a8e49872ad930ec3/DAAD-logo.png" />// I am a current artist in residence at Anderson Ranch in Snowmass, Colorado.&nbsp;Feb 1-March 8, 2023 <img width="256" height="256" width_o="256" height_o="256" data-src="https://freight.cargo.site/t/original/i/381e641341f8b89438694547cdac7be7614dfa2281212a2550d4d6f6796172ee/AR-logo.jpeg" data-mid="165559865" border="0" data-scale="25" src="https://freight.cargo.site/w/256/i/381e641341f8b89438694547cdac7be7614dfa2281212a2550d4d6f6796172ee/AR-logo.jpeg" /> // I am a current artist in residence at GlogauAIR in Berlin, Germany. Oct 6-Dec 28, 2022 <img width="349" height="150" width_o="349" height_o="150" data-src="https://freight.cargo.site/t/original/i/11f4adf4a43791baeb3571b89cad5d5b6d7086bbdcfa093656205c8db4a2a9d4/01-glogauairberlin-3x2-350x150-1.png" data-mid="158313441" border="0" data-scale="100" src="https://freight.cargo.site/w/349/i/11f4adf4a43791baeb3571b89cad5d5b6d7086bbdcfa093656205c8db4a2a9d4/01-glogauairberlin-3x2-350x150-1.png" /> Our Open Studios event will take place Dec 16-17 at the residency, Glogauer Str. 16, 10999, Berlin.&nbsp; <img width="949" height="1600" width_o="949" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ec3de1b2f949d292b3088f5177bda53f7cda1cce3344c64c2ff736a9d1bbb7e9/OpenStudios1.jpg" data-mid="161903131" border="0" data-scale="31" src="https://freight.cargo.site/w/949/i/ec3de1b2f949d292b3088f5177bda53f7cda1cce3344c64c2ff736a9d1bbb7e9/OpenStudios1.jpg" />&nbsp; My painting,&nbsp;The Table Over the Course of the Afternoon and Into the Evening, was chosen to use for our Open Studios promotional material. <img width="1228" height="1819" width_o="1228" height_o="1819" data-src="https://freight.cargo.site/t/original/i/f2806be902d75e2205b1c32ce9d1fe067f49b338691df2a464cf45788cc4eb10/Miranda-copy.jpg" data-mid="166044481" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/f2806be902d75e2205b1c32ce9d1fe067f49b338691df2a464cf45788cc4eb10/Miranda-copy.jpg" />Thanks to Ruby Whittaker for interviewing me and taking my portrait. Here’s a snippet from the interview: How has your practice changed over time? Art has helped me slow down. I used to look for the drama in a work of art, like a punchy narrative or a joke. I still love that kind of work, but after looking at art over the years, I have become more appreciative of works that ask me to take my time and focus on the way the artist uses colour or how they built up the surface of a painting. This practice helps me bear witness to what’s around me in my environment. Noticing the blue shadows on a person’s face or the shape of an insect’s bite marks on a leaf is fulfilling in its own right. I’ve also come to see how art is an expansive practice that goes beyond the visual. I see the artistic practice as a way of aligning materials or actions with content to create meaning. This can be intentional or unintentional. Cooking a nice meal for a friend when they need it can be an artistic act. Building a life around the values and pleasures you collect along the way can be an artistic act. By focusing on the practice of art (making it and looking at it) rather than the product, the creative process becomes impermeable to value or judgment. Art becomes a way of seeing, changing, and living, rather than an object to own. Find the full interview here.&nbsp; // My work will be in a group show with the members of Dream Clinic Project Space at Curiouser KC gallery in Kansas City, Kansas.&nbsp;Familiar From Afar Show dates: Oct 21-Nov &nbsp; <img width="720" height="540" width_o="720" height_o="540" data-src="https://freight.cargo.site/t/original/i/db6a6f2389046dcd2e9077b95322b09c6fbaab04d00cb15e0c778a04a5f94111/FAMILIAR-FROM-AFAR.jpg" data-mid="158312895" border="0" data-scale="79" src="https://freight.cargo.site/w/720/i/db6a6f2389046dcd2e9077b95322b09c6fbaab04d00cb15e0c778a04a5f94111/FAMILIAR-FROM-AFAR.jpg" /> // My work will be shown in a 2-person show at Roy G. Biv gallery in Columbus, OH. I will be showing 9 new paintings alongside artist and designer, Euzhan Shabazz.&nbsp; Simmer After Boiling Opening: July 8th, 6-8pm. Show dates: July 8-Aug 5.&nbsp; <img width="3053" height="3622" width_o="3053" height_o="3622" data-src="https://freight.cargo.site/t/original/i/e361c2f1aeeaf961f6f337e98a04cd8b178073d253b6d9c13197d13f3467a063/Third-Leg.jpg" data-mid="146876586" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/e361c2f1aeeaf961f6f337e98a04cd8b178073d253b6d9c13197d13f3467a063/Third-Leg.jpg" /> Third Leg. 2022. Oil and acrylic on canvas. 70x60 in.&nbsp; <img width="3799" height="5326" width_o="3799" height_o="5326" data-src="https://freight.cargo.site/t/original/i/6794ed354ee8b1568f19a4f412dcf6460c1967cf7fa5f1c1655535cce9671404/Roy-install-2.jpg" data-mid="161903445" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/6794ed354ee8b1568f19a4f412dcf6460c1967cf7fa5f1c1655535cce9671404/Roy-install-2.jpg" /> <img width="5100" height="3150" width_o="5100" height_o="3150" data-src="https://freight.cargo.site/t/original/i/9a55cf43c70bd89e5e8fca2953dfd2a2b25ea0da0362ed5cc607ed1c68a9e3d3/Roy-install1.jpg" data-mid="161903555" border="0" src="https://freight.cargo.site/w/1000/i/9a55cf43c70bd89e5e8fca2953dfd2a2b25ea0da0362ed5cc607ed1c68a9e3d3/Roy-install1.jpg" /> // I am curating a show for Dream Clinic Project Space! Submissions are due July 10th and the show will open on Friday, August 19th.&nbsp; Insta: @dreamclinicprojectspace<img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/7d88b5233fb21425330ced6355314cad65e1dd90c02e9cc7a2df1b0097c04171/Trite-and-True-open-call.jpg" data-mid="146876207" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/7d88b5233fb21425330ced6355314cad65e1dd90c02e9cc7a2df1b0097c04171/Trite-and-True-open-call.jpg" /> // I Like Your Work Podcast catalogue and online group exhibition, Through Mossy Ways May 1-31, 2022 My work, Rib Cage, is on the catalogue’s cover<img width="1777" height="2299" width_o="1777" height_o="2299" data-src="https://freight.cargo.site/t/original/i/5fa097e6ab319874550cf9414fb06e2aff9da7fdad6a1e3c2e0ba25736d7a141/Cover_Spring22_Exhibition_Catalog.png" data-mid="141082918" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/5fa097e6ab319874550cf9414fb06e2aff9da7fdad6a1e3c2e0ba25736d7a141/Cover_Spring22_Exhibition_Catalog.png" /> <img width="1620" height="1620" width_o="1620" height_o="1620" data-src="https://freight.cargo.site/t/original/i/2372dcd55d8ecbfe3597fb586ea3024852f9b8229138b7713123a7dae2018f6a/Miranda-Holmes.png" data-mid="141087383" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/2372dcd55d8ecbfe3597fb586ea3024852f9b8229138b7713123a7dae2018f6a/Miranda-Holmes.png" /> // Online Group Exhibition at Artsin Square&nbsp; <img width="1236" height="1464" width_o="1236" height_o="1464" data-src="https://freight.cargo.site/t/original/i/2d8c9db180f21238ae83fa5ad247456cef8c85889aa076d0b7da89c8a62d6f06/Screen-Shot-2022-04-28-at-2.52.49-PM.png" data-mid="141087725" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/2d8c9db180f21238ae83fa5ad247456cef8c85889aa076d0b7da89c8a62d6f06/Screen-Shot-2022-04-28-at-2.52.49-PM.png" /> // MFA Thesis Exhibition, this, that, and the other thing Feb 15-March 19, 2022 The Ohio State University&nbsp; Urban Arts Space, Columbus, Ohio&nbsp; <img width="1200" height="760" width_o="1200" height_o="760" data-src="https://freight.cargo.site/t/original/i/9e748f8d50cdc02131af549995ccf517757057fa522c3dd173ebbe62b5ba8662/Thesis-install_window-and-charcoal1_final.JPG" data-mid="141088079" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/9e748f8d50cdc02131af549995ccf517757057fa522c3dd173ebbe62b5ba8662/Thesis-install_window-and-charcoal1_final.JPG" /> Photos by Matt Pevear&nbsp;<img width="784" height="1200" width_o="784" height_o="1200" data-src="https://freight.cargo.site/t/original/i/461afa8db72ff9d51bb5dc2a8fe1a9c033587ae1d61ad42e53aa544ad1f6f993/Charcoal-wall1_final.JPG" data-mid="141088365" border="0" data-scale="46" src="https://freight.cargo.site/w/784/i/461afa8db72ff9d51bb5dc2a8fe1a9c033587ae1d61ad42e53aa544ad1f6f993/Charcoal-wall1_final.JPG" /> <img width="1200" height="871" width_o="1200" height_o="871" data-src="https://freight.cargo.site/t/original/i/1304a29ef303d80c1ce5db99291d827c16fba311a3d457499ec7f93d583caf93/Thesis-install-shot_windowside1_final.JPG" data-mid="141088580" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/1304a29ef303d80c1ce5db99291d827c16fba311a3d457499ec7f93d583caf93/Thesis-install-shot_windowside1_final.JPG" /> <img width="1200" height="753" width_o="1200" height_o="753" data-src="https://freight.cargo.site/t/original/i/40d72f22b02fce6207643c9441d1925dddb055698dcc683910f08dde3d07b6b8/Thesis-install2_final.JPG" data-mid="141088659" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/40d72f22b02fce6207643c9441d1925dddb055698dcc683910f08dde3d07b6b8/Thesis-install2_final.JPG" /> <img width="1200" height="796" width_o="1200" height_o="796" data-src="https://freight.cargo.site/t/original/i/19a78d5e15733265bcb959d286de11d8afd9f65b3d034dc2b3fb28d6aebe1456/Thesis-install_oppositewindow1_final.JPG" data-mid="141088829" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/19a78d5e15733265bcb959d286de11d8afd9f65b3d034dc2b3fb28d6aebe1456/Thesis-install_oppositewindow1_final.JPG" /> // Solo show at Raum für Sichtbarkeit, Berlin,&nbsp;Nov-Dec 2021&nbsp; <img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/60e6061e41db02a11a34ae52a61ccdc6da4c7e60f8a00e93a0a3e70273a49e65/miranda-holmes-inventur-.jpeg" data-mid="130539112" border="0" data-scale="53" src="https://freight.cargo.site/w/960/i/60e6061e41db02a11a34ae52a61ccdc6da4c7e60f8a00e93a0a3e70273a49e65/miranda-holmes-inventur-.jpeg" /> The works in Inventur/Inventory show a range of paintings and drawings from when Holmes lived in Berlin during 2017 through 2019. From contentious show-downs, to confident explorers, to crumbling buildings, these works show a slice of the artist's trajectory in which she focused on narrative-building and identity politics in her practice. Over the course of two years, Holmes' work changed from centering female figures in stories of their own solitude to morphing the figure with their environment. Using elements of line, rhythm, and a saturated color palette, the later works in 2019 depict figures that become inseparable from their surroundings, exploring how the body shapes its context and how context shapes a body.&nbsp;The works in this show have lived in storage for over 2 years; they are an inventory that reflects the artist's emerging values in both art and life at the time. Throughlines exist between her work then and now: the strained body, the wavering line between subject and object, as well as the emphasis on drawing in her practice. Woven within the works are the influences of the politics and the people she met in Berlin, which evolved the artist's questions around the expectations of the body and of work under patriarchy and capitalism. <img width="4757" height="3678" width_o="4757" height_o="3678" data-src="https://freight.cargo.site/t/original/i/39d5de63222c238dd170f7904b4224941b5dadb458507c108470e5ab32591114/Miranda3.jpg" data-mid="130539383" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/39d5de63222c238dd170f7904b4224941b5dadb458507c108470e5ab32591114/Miranda3.jpg" /> <img width="5829" height="3749" width_o="5829" height_o="3749" data-src="https://freight.cargo.site/t/original/i/44e09c5f55b35af72afdcafb00ed957687106dc8ca8e03a1087a87a5c51ccf5e/Miranda4.jpg" data-mid="130539610" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/44e09c5f55b35af72afdcafb00ed957687106dc8ca8e03a1087a87a5c51ccf5e/Miranda4.jpg" /> <img width="5173" height="3632" width_o="5173" height_o="3632" data-src="https://freight.cargo.site/t/original/i/21eb546907fa9d1b529ed8acc75bbcf841127e5e787b2de28412b1dad8375250/Miranda1.jpg" data-mid="130539779" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/21eb546907fa9d1b529ed8acc75bbcf841127e5e787b2de28412b1dad8375250/Miranda1.jpg" /> <img width="5202" height="3662" width_o="5202" height_o="3662" data-src="https://freight.cargo.site/t/original/i/98076c297875d43d39d7b5c5ba8aad29857efb7f7666e586f1ea66cec598140c/Miranda6.jpg" data-mid="130539986" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/98076c297875d43d39d7b5c5ba8aad29857efb7f7666e586f1ea66cec598140c/Miranda6.jpg" /> <img width="4000" height="2670" width_o="4000" height_o="2670" data-src="https://freight.cargo.site/t/original/i/d93f10dc07d3a9926f9a87c7edfb8577e41b19f6dccefc748da940ac8d3c4cf9/Miranda2-copy.jpg" data-mid="130540112" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/d93f10dc07d3a9926f9a87c7edfb8577e41b19f6dccefc748da940ac8d3c4cf9/Miranda2-copy.jpg" /> // New American Paintings Issue #149, May-June 2021 <img width="2512" height="1180" width_o="2512" height_o="1180" data-src="https://freight.cargo.site/t/original/i/9d6cf453a2716528ca6144998242be8bdaab85a56e7da3284051a74feb547da4/NAP-press.png" data-mid="109356957" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/9d6cf453a2716528ca6144998242be8bdaab85a56e7da3284051a74feb547da4/NAP-press.png" /> // Olympia Gallery, Feb 2021 <img width="1574" height="1572" width_o="1574" height_o="1572" data-src="https://freight.cargo.site/t/original/i/5d839617f4b8eb017f96608c7234a35473b540beac9d6ba6a678451179956107/Screen-Shot-2021-05-21-at-4.00.07-PM.png" data-mid="109158115" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5d839617f4b8eb017f96608c7234a35473b540beac9d6ba6a678451179956107/Screen-Shot-2021-05-21-at-4.00.07-PM.png" /> <img width="1586" height="1582" width_o="1586" height_o="1582" data-src="https://freight.cargo.site/t/original/i/8824b32a35d279de5f8de3c35e1a1feef754fceb94208c9089bca57c1f362488/Screen-Shot-2021-05-21-at-4.02.41-PM.png" data-mid="109158340" border="0" src="https://freight.cargo.site/w/1000/i/8824b32a35d279de5f8de3c35e1a1feef754fceb94208c9089bca57c1f362488/Screen-Shot-2021-05-21-at-4.02.41-PM.png" /> <img width="1578" height="1574" width_o="1578" height_o="1574" data-src="https://freight.cargo.site/t/original/i/abca9af3a9bc2e4609344db001bc53f0ccf3c62dd0a9ed65e71fd4959ef2bb95/Screen-Shot-2021-05-21-at-4.02.27-PM.png" data-mid="109158341" border="0" src="https://freight.cargo.site/w/1000/i/abca9af3a9bc2e4609344db001bc53f0ccf3c62dd0a9ed65e71fd4959ef2bb95/Screen-Shot-2021-05-21-at-4.02.27-PM.png" /> <img width="6697" height="4453" width_o="6697" height_o="4453" data-src="https://freight.cargo.site/t/original/i/cdf2160d2ffc838c85bff292806ddb05d7ab9da543f6db30dead1db0b8319db8/Mail-Install_3.jpg" data-mid="109157882" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/cdf2160d2ffc838c85bff292806ddb05d7ab9da543f6db30dead1db0b8319db8/Mail-Install_3.jpg" /> Install of MAIL<img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/1577f348319ff97eb0698a707c49e21dfd94e1fbcb93ffdb28de2d0880d09b84/Mail-Install_1.jpg" data-mid="109157907" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/1577f348319ff97eb0698a707c49e21dfd94e1fbcb93ffdb28de2d0880d09b84/Mail-Install_1.jpg" /> // Das Giftraum, Jan 2021 <img width="1500" height="2126" width_o="1500" height_o="2126" data-src="https://freight.cargo.site/t/original/i/f9bc13e92d93e27bd85c4ececa5c4965a246e5f0af48e753812052d6f4ecd3ee/das-gift-auction.png" data-mid="109157300" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/f9bc13e92d93e27bd85c4ececa5c4965a246e5f0af48e753812052d6f4ecd3ee/das-gift-auction.png" /> //&nbsp; Hopkins Hall Gallery, Aug 2020 If, And, With&nbsp; Collaborative painting show with Hannah Parrett and Kristen Phipps&nbsp; <img width="1458" height="1944" width_o="1458" height_o="1944" data-src="https://freight.cargo.site/t/original/i/bb9f3688ae9722bd4a713bb8d4b6ccfebf7a6ce0d97c8cc9602c224866c5e4cc/Moon-K.JPG" data-mid="109159837" border="0" src="https://freight.cargo.site/w/1000/i/bb9f3688ae9722bd4a713bb8d4b6ccfebf7a6ce0d97c8cc9602c224866c5e4cc/Moon-K.JPG" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/28f157743fee65879fa3fe6c53a48423a38926f133f99275b2aed7016576ef76/Moon-H.JPG" data-mid="109159839" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/28f157743fee65879fa3fe6c53a48423a38926f133f99275b2aed7016576ef76/Moon-H.JPG" /> <img width="600" height="566" width_o="600" height_o="566" data-src="https://freight.cargo.site/t/original/i/5b2767d169bf55779498a93b4216ede890ddb599da53286786c04ff2f15d3ada/Moon-M.jpg" data-mid="109159841" border="0" data-scale="100" src="https://freight.cargo.site/w/600/i/5b2767d169bf55779498a93b4216ede890ddb599da53286786c04ff2f15d3ada/Moon-M.jpg" /> // Solo show at&nbsp;Das Giftraum, Jun 2019 <img width="1000" height="1197" width_o="1000" height_o="1197" data-src="https://freight.cargo.site/t/original/i/5055f6bf4652b6bf1eb04ca5ed5801324e00792d9465d10f899291cdfca2bbfb/Do-Nothing-Without-Intention-poster2.jpg" data-mid="109159404" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/5055f6bf4652b6bf1eb04ca5ed5801324e00792d9465d10f899291cdfca2bbfb/Do-Nothing-Without-Intention-poster2.jpg" /> // Agora Collective, Berlin, Germany, Jan 2019 Two person painting show featuring Louise Thomas and Miranda Holmes&nbsp; <img width="1654" height="1098" width_o="1654" height_o="1098" data-src="https://freight.cargo.site/t/original/i/de00f5550bfbf6d8b764d28a70715dd2b69cd9755f59cfe9c17df2bec57eef04/Infinite-Work--Forever-repeated-image-copy.jpg" data-mid="109157296" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/de00f5550bfbf6d8b764d28a70715dd2b69cd9755f59cfe9c17df2bec57eef04/Infinite-Work--Forever-repeated-image-copy.jpg" /> // Penn State University Fellowships Office News, May 2018 <img width="1912" height="1470" width_o="1912" height_o="1470" data-src="https://freight.cargo.site/t/original/i/457a91d0cee50003a50945eedf48b6103b8a7639fe9a5535f5a1419e640c2dd0/PSU-press.png" data-mid="109357935" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/457a91d0cee50003a50945eedf48b6103b8a7639fe9a5535f5a1419e640c2dd0/PSU-press.png" /> // Group show at Prenzlauer Studio / Kunst-kollektiv, Dec 2017 <img width="679" height="960" width_o="679" height_o="960" data-src="https://freight.cargo.site/t/original/i/c1748a2fb65dbffc3a91137ca0fbc891e830dd52e5f4967b52d004db5ba6fca7/Leftovers-copy.jpg" data-mid="109157284" border="0" data-scale="44" src="https://freight.cargo.site/w/679/i/c1748a2fb65dbffc3a91137ca0fbc891e830dd52e5f4967b52d004db5ba6fca7/Leftovers-copy.jpg" /> https://mirandaholmesart.com/CV Wed, 19 May 2021 14:31:15 +0000 Miranda Holmes https://mirandaholmesart.com/CV CV HERE miranda.holmes14@gmail.com www.mirandaholmesart.com @disco.salad Co-organizer and curator at Dream Clinic Project Space in Columbus, OH @dreamclinicprojectspace &nbsp;